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Houses in Ho Chi Minh City

  • 30 Colorful
    Unlike Hà Nội where most new houses have a very historicist decorative design, the new houses in Ho Chi Minh City (HCMC) are more modernist if not just utilitarian. And while the houses in Hà Nội are most often painted ochre or vermillion, there is a much greater use of other colors in HCMC. As in Hà Nội, most houses are "tube houses" in that they are very narrow but very long. Although I haven't confirmed this yet, it is said that these lots are narrow because property taxes are based on the width of the lot at the street line. In HCMC, I guess (without confirmation yet) that many of the new houses are designed by young architects trying out new ideas, and this is very good to see. This in contrast to the usual utilitarian modernist larger buildings in HCMC. These pictures can be viewed by clicking on the first or top picture in the album and then click "next" on each photo to proceed though the album in slide show fashion.
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29 November 2007

Historical tradition of modernist architecture in Vietnam

It may seem strange to call modernist architecture historical and traditional.  In southern Vietnam, however, this makes sense because modernist architecture has been practiced as the norm for over fifty years.  A walk through any Ho Chi Minh City neighborhood will reveal many examples of Vietnamese modernist houses built in the 1950s through the 1970s and beyond.

I have stated many times (in the "Design Touches" and "Modernist Houses" categories of postings) that the southern Vietnamese have an innate sense of good design, and they have been very willing to experiment and try out new ideas in materials, colors, and shapes.  I noted previously that current Vietnamese architects and designers are building upon a long tradition of strong modernist architecture.

When I came to Saigon to live in 1971-1972, I was surprised to find a modernist villa (next door to a French-colonial villa) across from my hotel.
27_modernist_house_1972
This house appeared to have been constructed in the 1950s.  A walk down the street from where I lived was this new modernist townhouse, typical of those being built in the late 60s and early 70s.
22_saigon_new_house
The facade finish material for these modernist houses in the mid-20th century was almost always plaster inlayed with varying shades of grey exposed aggregate.  The plaster was applied to a reinforced concrete structural frame with extruded clay brick infill.  This is the same basic method of construction still in use today.  Today, however, the plaster is most often finished very smooth and then painted.  The exposed aggregate surfaces are what distinguish the early modernist houses built in Vietnam in the mid-20th century.

Old modernist houses are also found in abundance in the countryside, like this one in the Cu Chi district of HCMC.
Country_house
Although these houses most often have sloped ceramic tile roofs and tropical shutters on the sides, the front facades are distinctively modernist, with clean simple lines, and utilitarian ventilation openings.  Notice the simple decorative lines midway up the columns (click on the photo to open a larger version).

These two houses in Quy Nhon (Binh Dinh Province) show the two trends of early modernist architecture.
Quy_nhon_houses
These houses have escaped the recent destruction of beach-side fishermen's houses in Quy Nhon to build a new promenade.  The left-hand house shows the heavier but simpler modernist tradition, while the right-hand house displays the lighter touch with many simple linear decorative elements applied to the structural frame.

There are probably historians that would say that these houses show Chinese influences, but I do not think that is true at all.  Chinese houses usually display much more ostentatious decorations and do not have simple clean lines.  Chinese influences on architecture are much more prevalent in northern Vietnam, and are certainly seen in Buddhist pagodas and temples.

Historians might also say that early modernist architecture in Vietnam was influenced by French-colonial architects, but I see no evidence of that in Vietnamese modernist houses.  These modernist houses are a big jump from French-colonial villlas.  It is likely that the Vietnamese architects of these mid-20th century houses were educated in France and brought back their impressions of the early modernist architecture they may have seen in France, Germany, and Italy.  But the house designs are distinctly Vietnamese to me, and I believe that Vietnamese architects developed their own course of modernist architecture considering tropical climate responses and the ability to form up slender shapes and poor concrete in them.

The ability and desire to make slender concrete shapes is shown in these two early modernist houses in HCMC, probably constructed in the late 60s or early 70s.
Typical_old_modernist_house

Small_house
The fins at the rooftop trellises for both these houses are all poured-in-place reinforced concrete.  I saw formwork for this kind of detail in 1972 walking around Saigon.  Today, however, the costs of labor and material to build this kind of formwork and take care in pouring concrete are too high even in Vietnam, so the current trend is to much less of this kind of detail.

While the previous two photographs illustrated the "lighter touch" school of Vietnamese modernist architecture, the following photograph illustrates the "heavy but simpler" trend of architecture for houses:
Simple_house

Many of these mid-20th century modernist houses are hidden away by the advertising signs common today in all Vietnamese towns and cities.
Hidden_modernist_house

This larger house (probably built in the 1960s judging from the exposed aggregate plaster) is much more restrained in the use of decorative elements, but takes the middle road between light and heavy.
Large_house

I believe that Vietnamese architects have developed a very distinctive modernist architecture for houses over the past sixty years that is tailored to the climate and the needs and good tastes of the Vietnamese people.
Old_modernist_house
And it is likely that it wasn't just architects contributing to this development -- given the innate good design sense of the southern Vietnamese people, contractors and home-owners probably made many of the design decisions seen in these "historical modernist" houses.

25 October 2007

Color in Vietnamese modernist houses

Viet commented yesterday on my posting of 23 October 2007 entitled "Neighborhood new houses...":

I realize VNeses like to use to the secondary colors to paint thier buildings (perhaps it's due to the heat, probably it's toomuch to the eyes to use primary colors in the tropic climate).

That does seem to be generally true, but as usual there are good exceptions.  Primary colors are more often used here in Vietnam as accent colors (see my banner photo at the top of the page).  I believe that  southern Vietnamese have an innate good design sense that leads them to intelligent choices in the use of color.  Even though the background colors are usually secondary colors, they are often intense colors.  But here are a few modernist houses in Ho Chi Minh City that have used primary colors in big ways:

Dsc_0002
Every primary color including green (the plantings) are used in this house.

Img_3545
Large expanses of red used here as an accent color.

Img_4208
Strong primary colors are used here effectively to complement the strong forms.

23 October 2007

Neighborhoood new houses...

There is construction work going on everywhere in all of the neighborhoods of Ho Chi Minh City.  While there are a fair number of high-rise buildings, bridges, highways, and housing subdivisions under construction, the bulk of work being done here is small-scale residential improvements along the small lanes within the large city blocks of Saigon.  My posting on 19 April 2007 described these neighborhoods as part of the urban fabric of the city.

Where home-owners are not tearing down their smaller houses and building much taller homes, they are constantly remodeling to add new features to their existing homes, or to raise the rooftop by another story.
Dsc_0040jpg

Down the hẻm from me, an old villa was torn down over a couple of days and construction begun on five new 4-story houses at the same time, each on 4-meter wide by 12-meter long lots.  Three of the new houses were of a pop style using historicist (architectural styles adapted from the past) design elements:
Dsc_0044jpg

The remaining two houses around the corner are of excellent modernist design:
Dsc_0041jpg

These two modernist houses are now my favorites, and I need to return to them on a sunny day (rather rare around HCMC this month) to catch some better photos of them.
Dsc_0042jpg

I am not sure whether one land owner decided to build three pop traditional design houses and two modernist houses for sale, or he sold the lots and the new owners made their own choices.  I will try to find out.

14 October 2007

Retail stores come and go...

You may recognize where my banner photo above comes from -- the photo of this restaurant building off Phan Xích Long Street in the Phú Nhuận District of Hồ Chí Minh City was taken a year ago when the building was fairly new.
Img_4004

The restaurant has now been closed (perhaps temporarily) and the second level has had its large openings blocked up with hollow-clay tile blocks (hopefully temporarily).
Dsc_0020

I don't know if the infill was placed to keep out intruders for awhile until the building is rented again, or if the owner is preparing for a new tenant who wanted the openings blocked up.  This was one of my favorite modernist buildings in Saigon, so I will be coming by regularly to see how what the results of this renovation will be.

Neighborhoods in HCMC are not static at this time -- they are constantly changing.  You can walk along a lane one day, and then come back a couple of days later to find your favorite house demolished and a new house under construction.

11 June 2007

Modernist design ideas in Việt Nam

I have often expressed my respect for the modernist tradition practiced by Vietnamese architects in urban houses.  I believe that Vietnamese architects have explored a long history of modernist design ideas, and produce very interesting, well-designed houses.  They constantly try out new original ideas using color and layering of the structural frame skillfully.  This house in my neighborhood illustrates the basic modernist design principals used by good Vietnamese architects in houses throughout Ho Chi Minh City.
Mondernist_house
This house exhibits a spare but well-chosen use of color as well as layering of the structural planes with void elements (holes)  to provide a balanced composition.

What I cannot understand is why Vietnamese architects have not often been able to scale this ability up to larger buildings.  More often than not, Vietnamese architecture for larger buildings is heavy-handed and displays none of the inventiveness and fresh ideas designed into new houses everyday here in HCMC.  This building is a new example (just finishing construction on Nguyễn Trãi Street in District 5).
Bad_building
The heavy base of the building is a very dark color with no relationship whatsoever to the curtain wall of the middle floors.  The facade is bland and is devoid of any ideas.

This residential building, newly constructed on Cao Thắng Street in District 3, is also a bland building, but explores some basic modernist ideas that give it design touches to offset the blandness..
Modernist_building
Accent colors are skillfully used around the windows to emphasize the openings and give interest to a facade that is otherwise the most common expression of this kind of construction in Viet Nam.  Layers have been added to the facade to further give depth and interest to the building.  These are very simple ideas, but are not used often enough in the larger buildings designed by Vietnamese architects.

16 March 2007

Design Touches 7

While I am thrilled about the modernist and experimental directions of Vietnamese house architecture, I am aware that Việt Nam has a long history of modernist architecture that has a distinctive Vietnamese flavor.  Việt Nam's explorations in modernist art and architecture paralleled the evolution of modernist architecture in Europe and the Americas, whereas in most Asian countries, design has lagged the world evolution in design.

I think that the southern Vietnamese have an innate sense of design that motivates them to develop strong ideas in architecture, as well as allied arts in fashion and graphic design.

This detail from an old house in my neighborhood of TP. Hồ Chí Minh shows this spirit of experimentation in modernist design.

Art_detail

While the composition may not be very well resolved, the fact that the owner of this utilitarian house felt strongly enough to have such decoration applied to the house speaks to the sense of design that the Vietnamese value.

I took the following photo in 1972 because I was amazed to find modernist architecture alongside the French Colonial architecture that I expected to find in Việt Nam.

27_modernist_house_1972

This photograph was taken recently, but this villa probably dates back to the 60s or 70s, and is unfortunately in an area that will be redeveloped soon.

Villa_at_462_ntmk

20 February 2007

HCMC House 10

"Super graphics" had a strong impact in the 60s and 70s.  This style of graphics featured out-sized letters and numbers on posters or signs.

This is the first "super graphics" house I have seen, and it is in the Gò Vấp district of TPHCM.

Super_graphics_house

I wonder what the number 3 and letters S and V reference.

15 February 2007

Design Touches 6

Vietnamese designers are often very inventive and innovative.  They use materials in previously unused ways, and create very interesting features in places usually not treated.

Img_6655

This small office building on Đường (Street) Phan Xích Long in TP. Hồ Chí Minh displays a very unusual artwork etched or painted on the front window of the second and third floor.

Img_6656

The artwork portrays the map published by the People's Committee of TP. Hồ Chí Minh to illustrate the planned development of HCMC to the year 2020.

29 January 2007

HCMC House 9

There seems to be a current tendency in house architecture in Ho Chi Minh City to mix modernist and historicist styles.  This house in District 7 of HCMC exhibits this pull from a strong modernist statement towards the addition of disparate elements such as gable roof ends (almost always a false front).

Mixed_up

When I first saw this house in the bright light of the heat of the day, I didn't notice the gable end at the roof because the modernist frame is so strong.  It was only after viewing the photo that I realized how flawed this design had become.

The bottom two-thirds of the frame has been shifted to the left  so the frame is narrower on the left edge.  Elements within the frame have been crudely added to rebalance the weight, but why dillute the strong frame by unbalancing it?  On the whole, a strong idea has been watered down by irrational impulses.

09 January 2007

HCMC House 8

Most modernist houses in Ho Chi Minh City are not as experimental as those pictured in HCMC House 6 and House 7.  This house is much more typical in its modernist restraint.
Modernist_frame

This house exemplifies the normal modernist approach to house facade design in Viet Nam -- a strong frame, differing articulation of balconies or terraces at each floor, unifying railing designs with some original artistic detail, some delicate device such as the trellis at the roof terrace, and at least one strong element such as the large frame at the third floor.

02 January 2007

HCMC House 7

This house in the Phu Nhuan District of TP. Hồ Chí Minh is akin to House 6 in its experimentation.
Orange_tilted_house

Unlike House 6, it is fairly well resolved -- the diagonals are a consistent part of the composition, and relate to the rectalinear frame very well.  I like the way it looks like this house is holding up the new house next door.

It is good to see Vietnamese architects trying out ideas like this, particularly when they are fairly successful at resolving the compositional issues.  But most ideas like this don't serve well as a prototype for further exploration.  This is definitely a "one-off" design.

17 December 2006

HCMC House 6

Vietnamese residential architects like to experiment with new materials, colors, textures, details, shapes, and elements.  Most of this experimentation occurs within a modernist design approach.  Similar exploration in historicist houses are generally a copying of elements from historical precedents and styles.  Vietnamese architects seem to pride themselves on their original ideas, and I rarely see duplication or appropriation of others' ideas.

This experimentation does not seem to be a new phenomenon -- many of these experiments seem to be several years old, judging from fading or peeling paint.  This house in District 3 of TP. Hồ Chí Minh is a good example.
Experiment

Some may consider this to be a failed experiment -- I woudn't agree with that even though the slanted window bears little relationship to anything else in the composition except the paint band.  I enjoy seeing these experiments in my walks through HCMC neighborhoods, and continued experimentation is leading to  very good modernist houses  in Việt Nam by Vietnamese architects.

08 December 2006

HCMC House 5

Not all new houses in Ho Chi Minh City are modernist.  Like anywhere else in the world, people have different tastes and desires.  I enjoy walking through most of the HCMC neighborhoods because there is such a wide variation in architectural styles for houses.  I particularly like the many very well-designed modernist houses, but other styles add visual interest, such as this house.
Historicist

I could not design an historicist house like this.  And I don't believe it is well-designed from an historicist point-of-view, either.  But it certainly makes the walk along this block interesting.

02 December 2006

House of the day 4

This house on a hẻm (lane) off Phạm Ngũ Lão and Cống Quỳnh Streets in Quận (District) One of TP. Hồ Chí Minh is an example of pure formal modernism, particularly in its minimalism -- all white.
Img_4240

There is very little light and no views at this location on the hẻm, so there is no need for elaborate openings on the lower floors.  Typically, the middle floors are for sleeping rooms in southern Vietnamese urban houses, so ventilation is the only requirement on the facade.  In this case, the grate covering most of the building does the job elegantly.

Img_4239_1
Notice that the house is only about 2 meters wide (7 feet).  The sign on the gate says "Nhà Bán" meaning "house for sale".

01 December 2006

House of the day 3

Vietnamese residential architects are very inventive and like to experiment.  There is a great deal of originality presented in the typical new Vietnamese house in southern Việt Nam.

This house, however, is a solid example of elegant modernism.
Img_6166
It is not an experiment -- rather, it is an exposition of modernist elements composed in a restrained manner.  The colors, however, are typical for southern Việt Nam -- warm reds and oranges against white.  I would have made the choice to paint the gates white or red.  Interestingly the construction sign illustrated a much more formal modernist color scheme of black and white with a single accent of deep red on the side wall.
Img_5145

Whereas most urban Vietnamese houses are usually built up to the property line on all floors, albeit with a great deal of articulation of balconies, openings, and screens, this house is terraced back.  This is unusually restrained in its economical use of space.  The terraces will be well used, however, since they face east into the evening breezes common in the hotter dry season of the year.  Life in Việt Nam is lived outside, and this house provides plenty of opportunities.  I suspect it will be a great party house.

30 November 2006

House of the day 2

This is the second in a series on houses that exhibit great design choices with regard to materials, configuration, and decorative elements. The first house, my favorite, was posted on 10 March 2006.

My own tastes run to modernism and precedents (such as art deco). I am finding that there are many more great examples of good modernist design in TP. Hồ Chí Minh than in any other place I have been (limited though my experience might be, but that experience includes cities known for good modernist design such as Miami FL and Mexico City).

This house is located on Nguyễn Thái Bình street in District 1, downtown Sài Gòn, and is the typical four meters wide and five stories tall.  Typically, the ground floor accommodates a commercial use and is not usually designed as part of the composition of the upper floors.
Img_5575

Both a positive and a negative grid form the unifying elements of this design, executed in reinforced concrete.  Use of concrete for railings and linear elements is an old practice in Vietnamese architecture, but not used as much in these high-tech days with many ways to work metals in Viet Nam.